Sarasota Half In Dream

Sarasota Half in Dream from Mitchell Zemil on Vimeo.

A film by Derek Murphy and Mitchell Zemil

Purchase the film for download (+ deleted scenes and other bonus content!) on Gumroad: https://gum.co/HalfinDream

SARASOTA HALF IN DREAM is an experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes.

What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?

LACMA: Outliers and American Vanguard Art

Part of the exhibit. The crazy guys room (Henry Darger, Mike Mullican, and Forrest Bess). More on the exhibit here.

Recently went to this exhibit at the Los Angeles County Museum of Art. I found it to be incredibly inspirational. These are people who had to create, who were driven to create. Their circumstances (uneducated or rural or sometimes insane or sometimes all of the above) really didn’t allow them to think about commercial success. They were not stopped by lack of materials. They just did art. Whenever they could. On whatever material they could obtain. In whatever medium they could use. All the time.

The inspirational part is precisely that. This exhibit inspired me to create. Just fucking kick it in the head and start writing again. It’s so easy to get wrapped up in online shit, Twitter threads about how to self-promote, about how to get published, it’s so easy to forget that the point is to create. For me, the point is put the words on the page. And this exhibit reminded me of that essential fact.

Bill Traylor: Men Drinking, Boys Tormenting, Dogs Barking
Howard Finster: Vision of a Great Gulf on Planet Hell